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Monthly Archives: March 2014

1. Homework reminder: please read the story “This Is What It Means to Say Phoenix, Arizona” (photocopy handed out in class today).

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Brief notes from class…

2.  From tonight’s reading…

BIA = The Bureau of Indian Affairs, the United States Federal Agency that monitors and oversees all Native American reservations.

As you read, please make some notations in pen/pencil with regard to both the similarities and differences that you see between the story and the film.

3. From the film…

One of the items that we talked about today while we finished up the film was the manner in which it plays upon the motif of the “cowboys versus Indians,” as portrayed in both popular fiction and Hollywood film. We see a foreshadowing of this quality in the scene on the bus in which the two white guys (one wearing a cowboy hat) take Thomas and Victor’s seat while the two are on a break. Towards the end of the film we see a similar sort of incident when the drunken white guy tries to accuse Victor and Thomas of causing the car accident, as well as later when the two have to finagle their way out of the Sheriff’s suspicions.

1.

Week of March 31

M — read the story “This Is What It Means to Say Phoenix, Arizona” from Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven (photocopy handed out in class)

Tu — Read first segment of The World’s Oldest Living Fisherman” Chapter 1 of Louise Erdrich’s Love Medicine, pp. 1-15.

W — Read the second segment of The World’s Oldest Living Fisherman” Chapter 1 of Louise Erdrich’s Love Medicine, pp. 15-29.

Th — Read the third segment of The World’s Oldest Living Fisherman” Chapter 1 of Louise Erdrich’s Love Medicine, pp. 29-42.

F — Read photocopy handout of Native American poetry (distributed in class)

 

1. Now, for tonight, you should begin to piece together your conclusion. Here are the basic guidelines for closing an essay that we discussed in class today…

Closing Up

Three Reminders..

1. Focus on your main and (usually) final point.

In this case of the kind of essay we are writing at this time, the main/final point should actually be a series of at least two very concrete clearly stated explanations of (a) what is learned about the play Othello as a result of reading your comparison/contrast on two of the characters.

2. Gratify your audience with at least one new phrase or twist to help make your final point memorable.

This is the lagniappe effect we have talked about often this year.

3. End with emotional impact.

Emotion always carries the day (some we learned from The Things They Carried).

Here’s the good example of a closing section of a student essay about Shakespeare’s play King Lear

            After his defeat and capture. Lear’s transformation of character is complete. To be a prisoner of his daughters should be the most humiliating experience in a king’s life, yet we find Lear expressing real happiness. Because he is with Cordelia, the longing for power and loyalty has been replaced with a desire for love and compassion. At last Lear sees a love without price and power. He actually looks forward to being a prisoner with Cordelia:

                                                                        Come, let’s away to prison.

                                                We Two alone will sing like birds in a cage.

                                                When thou dost ask me blessing, I’ll kneel down

                                                And ask of thee forgiveness. So we’ll live,

                                                And pray, and sing, and tell old tales, and laugh

                                                At guilded butterflies…                (V.iii.8-13)

The kind of love he now wants is the antithesis of the worship that his other daughters promised him. Lear has discovered a human love based on sharing and feeling, and found that it is worth far more that crowns or kingdoms. The tragedy of King Lear is that Lear’s ideal universe discovers itself in a prison rather than in a kingdom. For when Lear has the power to preserve love he could not see it, and when he had the wisdom to see love, he could not preserve it.

Now here is the same paragraph with the “final point” section (#1 above) in brackets, the lagniappe section (#2 above) in parenthesis, and the emotional final statement (#3 above) underlined.

{After his defeat and capture. Lear’s transformation of character is complete. To be a prisoner of his daughters should be the most humiliating experience in a king’s life, yet we find Lear expressing real happiness. Because he is with Cordelia, the longing for power and loyalty has been replaced with a desire for love and compassion. At last Lear sees a love without price and power. He actually looks forward to being a prisoner with Cordelia: 

                                                            Come, let’s away to prison.

                                    We Two alone will sing like birds in a cage.

                                    When thou dost ask me blessing, I’ll kneel down

                                    And ask of thee forgiveness. So we’ll live,

                                    And pray, and sing, and tell old tales, and laugh

                                    At guilded butterflies…                (V.iii.8-13)

The kind of love he now wants is the antithesis of the worship that his other daughters promised him. Lear has discovered a human love based on sharing and feeling, and found that it is worth far more that crowns or kingdoms.} (The tragedy of King Lear is that Lear’s ideal universe discovers itself in a prison rather than in a kingdom.) For when Lear has the power to preserve love he could not see it, and when he had the wisdom to see love, he could not preserve it.

2. We also discussed in class today the use of evidence in making your assretions aboutvyour two characters. In short, there are two basic types of evidence you use in a literary analysis: quotational evidence and anecdotal evidence. For the essay that we are working on right now, you need at least two pieces of corroborating evidence for each assertion you make about a character.

3. Please come to class tomorrow with a hard copy of your rough draft ready to turn in.

1. For homework tonight let us see how much writing you can get done tonight. You should work on your intro, which we discussed in class today, and you should also work on your body paragraphs, which you all have an outline of now.

2. Here’s are the notes from today’s class on “Openers”…

We have discussed your essay’s middle (body), now let’s look at some ideas about how such an essay should start out.

Opening up your character comparison/literary analysis:

The “necessary” content: (1) a good detailed and dynamic introduction to your two characters (see examples below); (2) a thorough explanation of the “external” similarities or differences between your two characters; (3) the “turn” to focusing on the opposite view, which includes a (4) brief statement of the threads showing similarity or difference (which will form the “body” of your essay).

Here is an example of a “pretty good” (not bad, but certainly not great) intro:

Desdemona and Bianca could not be more different. One is upper-class; the other is not. One wears fine clothes; the other, rags. In this essay, I will look past the apparent differences between the two, and see what can be learned from looking for the similarities. 

Here is a much better version (maybe not great, but much better than the above):

One woman is the daughter of a Venetian senator and has grown up is the highest circles of European aristocracy and culture. The other woman is a “girl of the streets,” who lives far away from the palaces of Italy on the scrubby little goat-herding island of Cyprus. One woman thinks of love as being all about duty and loyalty; the other thinks of love as being all about fighting tooth and nail for what you want. One woman wears long shimmering white dresses; the other dresses in layers of rough-hewn material and beads and bangles. Yet even though these two women – Desdemona and Bianca, respectively, in Shakespeare’s Othello – seem to have more differences than similarities, taking a deeper glance at their similarities will provide some important insights into some of the play’s more complex meanings.

1. Tomorrow, please come to class with…

A. your two characters decided

B. Your 3-5 comparison points decided.

C. An outline of your character comparison essay

2. Here’s a re-print of the ahandout you took notes on in class today…

Body PPs for Comparison/Contrast Literary Analysis (Characters)

Character A

Character B

 

Similarity/Difference I
Similarity/Difference II
Similarity/Difference III
Similarity/Difference IV
Similarity/Difference V

Option 1

I for both A & B

II for both A & B

III for both A & B

IV for both A & B

V for both A & B

Option 2

I for A

I for B

II for A

II for B

III for A

III for B

IV for A

IV for B

V for A

V for B

Option 3

IA

IIA

IIIA

IVA

VA

IB

IIB

IIIB

IVB

VB

 

1. As part of your continued work on your “postcard” short stories, please finish the work you started today in class, involving creatively and smoothly incorporating any 3 of the following items into your plot/characterization:

An abrupt change in the weather

An unexpected entrance

A scene of spying or surveillance

A scene of betrayal

A wild animal

A disgusting meal or a sumptuous one

A birthday cake used in a completely unexpected way

A grandmother who rides a Harley

A cat who can talk

A television that can watch you watching it

An intruder who takes a bath in the house he/she has broken into

An insidious banana

A car that runs on pickle juice

A smart phone that keeps calling up people and asking them out on a date

A stranger who can tell the future

The Yellow Brick Road from The Wizard of Oz

A unexpected message sent via text or email or telegram

2. Please bring your writing with you back to class tomorrow and we will do some work incorporating more descriptions into our stories. The we’ll finish them up over the weekend and turn in on Monday.

 

1. Your homework tonight is to work a little more on your “Postcard” stories. Here are some suggestions that you might think about in working further on these…

a. At a certain point, you might very well stray far away from the images on your postcards in telling your story. That’s ok. Use the postcards to help you get started and even to restart yourself on occasion should you get stuck along the way. Don’t use the postcards to tie yourself and your creativity down and keep it from going in the direction it wants.

b. Remember: your story needs to have a concrete setting (that means lots of description), it needs to have at least two characters (so as to create the necessary conflict needed for a story to be dramatic and provocative), and it needs to have a clear sequence of actions and events that build of to some kind of climatic moment.

2. This story has a due date of Monday 031014.